# Indiana Jones and the Dial of Destiny Full Movie Watch 4k Free

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&#x20; Adventure, Action, Crime, Drama   2023-06-28\
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&#x20; Finding himself in a new era, approaching retirement, Indy wrestles with fitting into a world that seems to have outgrown him. But as the tentacles of an all-too-familiar evil return in the form of an old rival, Indy must don his hat and pick up his whip once more to make sure an ancient and powerful artifact doesn't fall into the wrong hands.

Starring:  Harrison Ford (Indiana Jones), Phoebe Waller-Bridge (Helena), Mads Mikkelsen (Dr. Jürgen Voller), Antonio Banderas (Renaldo), Boyd Holbrook (Klaber), John Rhys-Davies (Sallah)

![Indiana Jones and the Dial of Destiny](https://www.themoviedb.org/t/p/original/gCT47rlj2NcME1ObrzLJwlbutMT.jpg)

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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Indiana Jones and the Dial of Destiny glory days, because 20th Century Studios is releasing Indiana Jones and the Dial of Destiny in theaters this week, ahead of the release of Indiana Jones and the Dial of Destiny: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Indiana Jones and the Dial of Destiny in the comfort of your own home. Here’s how.

#### WHERE TO WATCH Indiana Jones and the Dial of Destiny :

In anticipation of the December release of Indiana Jones and the Dial of Destiny 2, aka Indiana Jones and the Dial of Destiny: The Way of the Water, the first 2009 Indiana Jones and the Dial of Destiny movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Indiana Jones and the Dial of Destiny near you via Fandango. Because the movie has been out for over a decade, you can also watch Indiana Jones and the Dial of Destiny streaming on digital platforms at home. Read on to learn more.

#### IS Indiana Jones and the Dial of Destiny AVAILABLE ON STREAMING?

Yes! Indiana Jones and the Dial of Destiny is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Indiana Jones and the Dial of Destiny costs $3.99 to rent and $14.99 to buy on Amazon Prime.

#### IS Indiana Jones and the Dial of Destiny STREAMING ON HBO MAX?

No, sorry. Indiana Jones and the Dial of Destiny is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.

#### IS THE Indiana Jones and the Dial of Destiny MOVIE ON NETFLIX?

James Cameron revealed to The Times UK that before “Indiana Jones and the Dial of Destiny: The Way of Water” there was a full “Indiana Jones and the Dial of Destiny 2” screenplay that was written and then thrown into the trash. It turns out that at least an entire year of the 13-year gap between 2009’s “Indiana Jones and the Dial of Destiny” and 2022’s “The Way of Water” was spent on a screenplay that will never see the light of day.

Cameron and his team came to the following conclusion: “All films work on different levels. The first is surface, which is character, problem and resolution. The second is thematic. What is the movie trying to say? But ‘Indiana Jones and the Dial of Destiny’ also works on a third level, the subconscious. I wrote an entire script for the sequel, read it and realized that it did not get to level three. Boom. Start over. That took a year.”

“There was a tertiary level as well…it was a dreamlike sense of a yearning to be there, to be in that space, to be in a place that is safe and where you wanted to be,” Cameron said. “Whether that was flying, that sense of freedom and exhilaration, or whether it’s being in the forest where you can smell the earth. It was a sensory thing that communicated on such a deep level. That was the spirituality of the first film.”

“When I sat down to write the sequels, I knew there were going to be three at the time and eventually it turned into four, I put together a group of writers and said, ‘I don’t want to hear anybody’s new ideas or anyone’s pitches until we have spent some time figuring out what worked on the first film, what connected, and why it worked,’” Camerons said.

“Indiana Jones and the Dial of Destiny” opens in theaters Dec. 16.

Instead, the multiplexes were about to be dominated by “Indiana Jones and the Dial of Destiny,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “Indiana Jones and the Dial of Destiny” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.

Cameron, the decorated filmmaker of “Titanic,” “True Lies” and “The Terminator,” went off to prepare the next entries in his new franchise. Now, as he puts the finishing touches on the first of four planned sequels, “Indiana Jones and the Dial of Destiny: The Way of Water” (which 20th Century Studios will release on Dec. 16), nearly 13 years have gone by and much has changed.

Calling from his studios in Wellington, New Zealand, the 68-year-old Cameron spoke about seeing “Indiana Jones and the Dial of Destiny” through new eyes, how the world has or hasn’t changed since its release and whether this onetime king of the world has maybe — just maybe — chilled out a little bit. These are edited excerpts from our conversation.

Have you watched the original “Indiana Jones and the Dial of Destiny” recently? What was that experience like?

It was a real pleasure to watch it, in its fully remastered state, a few weeks ago with my kids, because they had only ever seen it on streaming or on Blu-ray. “Oh yeah, it’s that movie that Dad made back then.” And they got to see it in 3-D, at good light level and projection levels, for the first time.

Did you see details that you wished you could change?

I don’t think that way. It’s such an intense process when you’re editing a film and you have to fight for every frame that stays in. I felt pretty good about the creative decisions that were made back then. We spent a lot of time and energy improving our process in the decade-plus since. But there’s certainly nothing cringeworthy. I can see tiny places where we’ve improved facial-performance work. But it doesn’t take you out. I think it’s still competitive with everything that’s out there these days.

I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.

What do you think has changed about the movie industry in the years since its release?

The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.

Does knowing audiences want that blockbuster experience put more pressure on you?

I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “Indiana Jones and the Dial of Destiny.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.

I’m not going to feel guilty because my movie didn’t save the world. I certainly wasn’t the only voice back then, and I’m certainly not the only voice now, telling people that they have to change. But people don’t want to change. We love to burn energy. We love to eat our meat and dairy.

Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?

I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.

I would either wear that hat on the first day of a new shoot, or I would wear my T-shirt that says “Time becomes meaningless in the face of creativity.” Just to shake up the studio a little bit. I don’t think I \[wore] the HMFIC hat on the new “Indiana Jones and the Dial of Destiny.” This is the kinder, gentler me. This is the mellow, Zen nice guy, sensitive to everybody’s needs and emotional requirements. No microaggressions here. Which is usually good for about the first two weeks.

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