Roald Dahl's Matilda the Musical Full Movie Online Watch HD Stream
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Family, Comedy, Fantasy, Fantasy 2022-11-25 Watch Movie or Download Now : Roald Dahl's Matilda the Musical Quality Blu-ray
An extraordinary young girl discovers her superpower and summons the remarkable courage, against all odds, to help others change their stories, whilst also taking charge of her own destiny. Standing up for what's right, she's met with miraculous results.
Starring: Alisha Weir (Matilda), Lashana Lynch (Miss Honey), Stephen Graham (Mr. Wormwood), Andrea Riseborough (Mrs. Wormwood), Emma Thompson (Miss Trunchbull), Sindhu Vee (Mrs. Phelps)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Roald Dahl's Matilda the Musical glory days, because 20th Century Studios is releasing Roald Dahl's Matilda the Musical in theaters this week, ahead of the release of Roald Dahl's Matilda the Musical: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Roald Dahl's Matilda the Musical in the comfort of your own home. Here’s how.
In anticipation of the December release of Roald Dahl's Matilda the Musical 2, aka Roald Dahl's Matilda the Musical: The Way of the Water, the first 2009 Roald Dahl's Matilda the Musical movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Roald Dahl's Matilda the Musical near you via Fandango. Because the movie has been out for over a decade, you can also watch Roald Dahl's Matilda the Musical streaming on digital platforms at home. Read on to learn more.
Yes! Roald Dahl's Matilda the Musical is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Roald Dahl's Matilda the Musical costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. Roald Dahl's Matilda the Musical is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
James Cameron revealed to The Times UK that before “Roald Dahl's Matilda the Musical: The Way of Water” there was a full “Roald Dahl's Matilda the Musical 2” screenplay that was written and then thrown into the trash. It turns out that at least an entire year of the 13-year gap between 2009’s “Roald Dahl's Matilda the Musical” and 2022’s “The Way of Water” was spent on a screenplay that will never see the light of day.
Cameron and his team came to the following conclusion: “All films work on different levels. The first is surface, which is character, problem and resolution. The second is thematic. What is the movie trying to say? But ‘Roald Dahl's Matilda the Musical’ also works on a third level, the subconscious. I wrote an entire script for the sequel, read it and realized that it did not get to level three. Boom. Start over. That took a year.”
“There was a tertiary level as well…it was a dreamlike sense of a yearning to be there, to be in that space, to be in a place that is safe and where you wanted to be,” Cameron said. “Whether that was flying, that sense of freedom and exhilaration, or whether it’s being in the forest where you can smell the earth. It was a sensory thing that communicated on such a deep level. That was the spirituality of the first film.”
“When I sat down to write the sequels, I knew there were going to be three at the time and eventually it turned into four, I put together a group of writers and said, ‘I don’t want to hear anybody’s new ideas or anyone’s pitches until we have spent some time figuring out what worked on the first film, what connected, and why it worked,’” Camerons said.
“Roald Dahl's Matilda the Musical” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “Roald Dahl's Matilda the Musical,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “Roald Dahl's Matilda the Musical” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
To help reacquaint audiences with “Roald Dahl's Matilda the Musical” — and with the 3-D filmmaking that dazzled audiences in 2009 — the first movie is being rereleased in theaters on Sept. 23. It’s a strategy that is, of course, intended to prime ticket buyers for the impending follow-up, but also to remind them of what was special about the original.
As Cameron said of “Roald Dahl's Matilda the Musical” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”
Have you watched the original “Roald Dahl's Matilda the Musical” recently? What was that experience like?
And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.
Did you see details that you wished you could change?
Even with everything you had accomplished before making “Roald Dahl's Matilda the Musical,” were there still elements that you had to fight the studio to keep in it?
And that’s a place where I just drew a line in the sand and said, “You know what? I made ‘Titanic.’ This building that we’re meeting in right now, this new half-billion dollar complex on your lot? ‘Titanic.’ paid for that, so I get to do this.” And afterward, they thanked me. I feel that my job is to protect their investment, often against their own judgment. But as long as I protect their investment, all is forgiven.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “Roald Dahl's Matilda the Musical.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.
“Roald Dahl's Matilda the Musical” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?
I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.
In the era of the original “Roald Dahl's Matilda the Musical,” we learned that you possess a baseball cap bearing the letters “HMFIC” (a boastful if family-unfriendly personal description). Did that get any use on the making of “The Way of Water”?
