# Watch The Godfather Full HD Movie

### **Watch The Godfather Full Movie Online \[\[Movies-HD]]**

&#x20; Drama, Crime, Romance, Thriller   1972-03-14\
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&#x20; Spanning the years 1945 to 1955, a chronicle of the fictional Italian-American Corleone crime family. When organized crime family patriarch, Vito Corleone barely survives an attempt on his life, his youngest son, Michael steps in to take care of the would-be killers, launching a campaign of bloody revenge.

Starring:  Marlon Brando (Don Vito Corleone), Al Pacino (Don Michael Corleone), James Caan (Santino 'Sonny' Corleone), Robert Duvall (Tom Hagen), Richard S. Castellano (Pete Clemenza), Diane Keaton (Kay Adams)

![The Godfather](https://www.themoviedb.org/t/p/original/tmU7GeKVybMWFButWEGl2M4GeiP.jpg)

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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the The Godfather glory days, because 20th Century Studios is releasing The Godfather in theaters this week, ahead of the release of The Godfather: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch The Godfather in the comfort of your own home. Here’s how.

#### WHERE TO WATCH The Godfather :

In anticipation of the December release of The Godfather 2, aka The Godfather: The Way of the Water, the first 2009 The Godfather movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of The Godfather near you via Fandango. Because the movie has been out for over a decade, you can also watch The Godfather streaming on digital platforms at home. Read on to learn more.

#### IS The Godfather AVAILABLE ON STREAMING?

Yes! The Godfather is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but The Godfather costs $3.99 to rent and $14.99 to buy on Amazon Prime.

#### IS The Godfather STREAMING ON HBO MAX?

No, sorry. The Godfather is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.

#### IS THE The Godfather MOVIE ON NETFLIX?

No, sorry. The Godfather is not streaming on Netflix at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform. That said, you can watch the Nickelodeon series The Godfather on Netflix, and I strongly suggest that you do.

“When I sat down with my writers to start ‘The Godfather 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”

During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “The Godfather” to become the highest-grossing movie of all time at the worldwide box office.

“They kept wanting to talk about the new stories. I said, ‘We aren’t doing that yet.’ Eventually I had to threaten to fire them all because they were doing what writers do, which is to try and create new stories. I said, ‘We need to understand what the connection was and protect it, protect that ember and that flame.’”

“The Godfather” opens in theaters Dec. 16.

Instead, the multiplexes were about to be dominated by “The Godfather,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “The Godfather” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.

To help reacquaint audiences with “The Godfather” — and with the 3-D filmmaking that dazzled audiences in 2009 — the first movie is being rereleased in theaters on Sept. 23. It’s a strategy that is, of course, intended to prime ticket buyers for the impending follow-up, but also to remind them of what was special about the original.

As Cameron said of “The Godfather” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”

Have you watched the original “The Godfather” recently? What was that experience like?

And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.

Did you see details that you wished you could change?

I don’t think that way. It’s such an intense process when you’re editing a film and you have to fight for every frame that stays in. I felt pretty good about the creative decisions that were made back then. We spent a lot of time and energy improving our process in the decade-plus since. But there’s certainly nothing cringeworthy. I can see tiny places where we’ve improved facial-performance work. But it doesn’t take you out. I think it’s still competitive with everything that’s out there these days.

I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.

What do you think has changed about the movie industry in the years since its release?

People are craving that. We’re still down about 20 percent from prepandemic levels, but it’s slowly building back. Partly it’s been because of a dearth of top titles that people would want to see in a theater. But “The Godfather” is the poster child for that. This is the type of film that you have to see in a theater.

Does knowing audiences want that blockbuster experience put more pressure on you?

There’s a sense of responsibility to do the best job we can and make it a moneymaker. But I don’t how that translates artistically to any decision I make on the movie. I don’t say, Hmmm, let’s put that plant over there because we’ll make more money. It doesn’t work that way. When it’s good enough, you kind of know.

Asking people to fundamentally change their behavior patterns, it’s like asking them to change their religion. We’re seeing this ongoing series of greater and greater manifestations of the consequences, like with these heat waves in China and North America and Europe, the flooding in Pakistan, which is horrific. And eventually we will change or we’ll die out. “The Godfather” is not trying to tell you what to do specifically.

Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?

I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.

In the era of the original “The Godfather,” we learned that you possess a baseball cap bearing the letters “HMFIC” (a boastful if family-unfriendly personal description). Did that get any use on the making of “The Way of Water”?

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