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Action, Adventure, Science Fiction, Fantasy 2022-03-24 Watch Movie or Download Now : Everything Everywhere All at Once Quality Blu-ray

An aging Chinese immigrant is swept up in an insane adventure, where she alone can save what's important to her by connecting with the lives she could have led in other universes.

Starring: Michelle Yeoh (Evelyn Wang), Ke Huy Quan (Waymond Wang), Stephanie Hsu (Joy Wang / Jobu Tupaki), James Hong (Gong Gong), Jamie Lee Curtis (Deirdre Beaubeirdra), Tallie Medel (Becky Sregor)

Everything Everywhere All at Once

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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Everything Everywhere All at Once glory days, because 20th Century Studios is releasing Everything Everywhere All at Once in theaters this week, ahead of the release of Everything Everywhere All at Once: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Everything Everywhere All at Once in the comfort of your own home. Here’s how.

WHERE TO WATCH Everything Everywhere All at Once :

In anticipation of the December release of Everything Everywhere All at Once 2, aka Everything Everywhere All at Once: The Way of the Water, the first 2009 Everything Everywhere All at Once movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Everything Everywhere All at Once near you via Fandango. Because the movie has been out for over a decade, you can also watch Everything Everywhere All at Once streaming on digital platforms at home. Read on to learn more.

IS Everything Everywhere All at Once AVAILABLE ON STREAMING?

Yes! Everything Everywhere All at Once is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Everything Everywhere All at Once costs $3.99 to rent and $14.99 to buy on Amazon Prime.

IS Everything Everywhere All at Once STREAMING ON HBO MAX?

No, sorry. Everything Everywhere All at Once is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.

IS THE Everything Everywhere All at Once MOVIE ON NETFLIX?

James Cameron revealed to The Times UK that before “Everything Everywhere All at Once: The Way of Water” there was a full “Everything Everywhere All at Once 2” screenplay that was written and then thrown into the trash. It turns out that at least an entire year of the 13-year gap between 2009’s “Everything Everywhere All at Once” and 2022’s “The Way of Water” was spent on a screenplay that will never see the light of day.

“When I sat down with my writers to start ‘Everything Everywhere All at Once 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”

During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “Everything Everywhere All at Once” to become the highest-grossing movie of all time at the worldwide box office.

“They kept wanting to talk about the new stories. I said, ‘We aren’t doing that yet.’ Eventually I had to threaten to fire them all because they were doing what writers do, which is to try and create new stories. I said, ‘We need to understand what the connection was and protect it, protect that ember and that flame.’”

“Everything Everywhere All at Once” opens in theaters Dec. 16.

Instead, the multiplexes were about to be dominated by “Everything Everywhere All at Once,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “Everything Everywhere All at Once” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.

To help reacquaint audiences with “Everything Everywhere All at Once” — and with the 3-D filmmaking that dazzled audiences in 2009 — the first movie is being rereleased in theaters on Sept. 23. It’s a strategy that is, of course, intended to prime ticket buyers for the impending follow-up, but also to remind them of what was special about the original.

Calling from his studios in Wellington, New Zealand, the 68-year-old Cameron spoke about seeing “Everything Everywhere All at Once” through new eyes, how the world has or hasn’t changed since its release and whether this onetime king of the world has maybe — just maybe — chilled out a little bit. These are edited excerpts from our conversation.

Have you watched the original “Everything Everywhere All at Once” recently? What was that experience like?

And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.

Did you see details that you wished you could change?

Even with everything you had accomplished before making “Everything Everywhere All at Once,” were there still elements that you had to fight the studio to keep in it?

I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.

What do you think has changed about the movie industry in the years since its release?

The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.

Does knowing audiences want that blockbuster experience put more pressure on you?

I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “Everything Everywhere All at Once.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.

Asking people to fundamentally change their behavior patterns, it’s like asking them to change their religion. We’re seeing this ongoing series of greater and greater manifestations of the consequences, like with these heat waves in China and North America and Europe, the flooding in Pakistan, which is horrific. And eventually we will change or we’ll die out. “Everything Everywhere All at Once” is not trying to tell you what to do specifically.

It’s not telling you, Go vote for so-and-so, buy a Prius, put down the cheeseburger. It’s just reminding us of what we’re losing. And it puts us back in touch with that childlike state of wonder about the natural world. As long as that beauty still resonates within us, there’s hope.

I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.

I would either wear that hat on the first day of a new shoot, or I would wear my T-shirt that says “Time becomes meaningless in the face of creativity.” Just to shake up the studio a little bit. I don’t think I [wore] the HMFIC hat on the new “Everything Everywhere All at Once.” This is the kinder, gentler me. This is the mellow, Zen nice guy, sensitive to everybody’s needs and emotional requirements. No microaggressions here. Which is usually good for about the first two weeks.

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