Guillermo del Toro's Pinocchio FuLL MoviE
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Last updated
Animation, Fantasy, Drama, Drama 2022-11-09 Watch Movie or Download Now : Guillermo del Toro's Pinocchio Quality Blu-ray
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
Starring: Ewan McGregor (Sebastian J. Cricket (voice)), David Bradley (Gepetto (voice)), Gregory Mann (Pinocchio (voice)), Christoph Waltz (Count Volpe (voice)), Tilda Swinton (Wood Sprite / Death (voice)), Ron Perlman (The Podestà (voice))
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Guillermo del Toro's Pinocchio glory days, because 20th Century Studios is releasing Guillermo del Toro's Pinocchio in theaters this week, ahead of the release of Guillermo del Toro's Pinocchio: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Guillermo del Toro's Pinocchio in the comfort of your own home. Here’s how.
In anticipation of the December release of Guillermo del Toro's Pinocchio 2, aka Guillermo del Toro's Pinocchio: The Way of the Water, the first 2009 Guillermo del Toro's Pinocchio movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Guillermo del Toro's Pinocchio near you via Fandango. Because the movie has been out for over a decade, you can also watch Guillermo del Toro's Pinocchio streaming on digital platforms at home. Read on to learn more.
Yes! Guillermo del Toro's Pinocchio is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Guillermo del Toro's Pinocchio costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. Guillermo del Toro's Pinocchio is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
No, sorry. Guillermo del Toro's Pinocchio is not streaming on Netflix at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform. That said, you can watch the Nickelodeon series Guillermo del Toro's Pinocchio on Netflix, and I strongly suggest that you do.
Cameron and his team came to the following conclusion: “All films work on different levels. The first is surface, which is character, problem and resolution. The second is thematic. What is the movie trying to say? But ‘Guillermo del Toro's Pinocchio’ also works on a third level, the subconscious. I wrote an entire script for the sequel, read it and realized that it did not get to level three. Boom. Start over. That took a year.”
During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “Guillermo del Toro's Pinocchio” to become the highest-grossing movie of all time at the worldwide box office.
“They kept wanting to talk about the new stories. I said, ‘We aren’t doing that yet.’ Eventually I had to threaten to fire them all because they were doing what writers do, which is to try and create new stories. I said, ‘We need to understand what the connection was and protect it, protect that ember and that flame.’”
“Guillermo del Toro's Pinocchio” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “Guillermo del Toro's Pinocchio,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “Guillermo del Toro's Pinocchio” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
To help reacquaint audiences with “Guillermo del Toro's Pinocchio” — and with the 3-D filmmaking that dazzled audiences in 2009 — the first movie is being rereleased in theaters on Sept. 23. It’s a strategy that is, of course, intended to prime ticket buyers for the impending follow-up, but also to remind them of what was special about the original.
Calling from his studios in Wellington, New Zealand, the 68-year-old Cameron spoke about seeing “Guillermo del Toro's Pinocchio” through new eyes, how the world has or hasn’t changed since its release and whether this onetime king of the world has maybe — just maybe — chilled out a little bit. These are edited excerpts from our conversation.
Have you watched the original “Guillermo del Toro's Pinocchio” recently? What was that experience like?
It was a real pleasure to watch it, in its fully remastered state, a few weeks ago with my kids, because they had only ever seen it on streaming or on Blu-ray. “Oh yeah, it’s that movie that Dad made back then.” And they got to see it in 3-D, at good light level and projection levels, for the first time.
Did you see details that you wished you could change?
Even with everything you had accomplished before making “Guillermo del Toro's Pinocchio,” were there still elements that you had to fight the studio to keep in it?
I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “Guillermo del Toro's Pinocchio.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.
“Guillermo del Toro's Pinocchio” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
It’s not telling you, Go vote for so-and-so, buy a Prius, put down the cheeseburger. It’s just reminding us of what we’re losing. And it puts us back in touch with that childlike state of wonder about the natural world. As long as that beauty still resonates within us, there’s hope.
I was a little concerned that I had stretched the tether too far, in our fast-paced, modern world, with “Guillermo del Toro's Pinocchio 2” coming in 12 years later. Right until we dropped the teaser trailer, and we got 148 million views in 24 hours. There’s that scarce seen but wondered at principle, which is, Wow, we haven’t seen that in a long time, but I remember how cool it was back then. Does that play in our favor? I don’t know. I guess we’re going to find out.
I would either wear that hat on the first day of a new shoot, or I would wear my T-shirt that says “Time becomes meaningless in the face of creativity.” Just to shake up the studio a little bit. I don’t think I [wore] the HMFIC hat on the new “Guillermo del Toro's Pinocchio.” This is the kinder, gentler me. This is the mellow, Zen nice guy, sensitive to everybody’s needs and emotional requirements. No microaggressions here. Which is usually good for about the first two weeks.
