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Comedy, Music, Romance, Thriller 1954-10-14 Watch Movie or Download Now : White Christmas Quality Blu-ray
Two talented song-and-dance men team up after the war to become one of the hottest acts in show business. In time they befriend and become romantically involved with the beautiful Haynes sisters who comprise a sister act.
Starring: Bing Crosby (Bob Wallace), Danny Kaye (Phil Davis), Rosemary Clooney (Betty Haynes), Vera-Ellen (Judy Haynes), Dean Jagger (General Waverly), Mary Wickes (Emma Allen)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the White Christmas glory days, because 20th Century Studios is releasing White Christmas in theaters this week, ahead of the release of White Christmas: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch White Christmas in the comfort of your own home. Here’s how.
In anticipation of the December release of White Christmas 2, aka White Christmas: The Way of the Water, the first 2009 White Christmas movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of White Christmas near you via Fandango. Because the movie has been out for over a decade, you can also watch White Christmas streaming on digital platforms at home. Read on to learn more.
Yes! White Christmas is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but White Christmas costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. White Christmas is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
James Cameron revealed to The Times UK that before “White Christmas: The Way of Water” there was a full “White Christmas 2” screenplay that was written and then thrown into the trash. It turns out that at least an entire year of the 13-year gap between 2009’s “White Christmas” and 2022’s “The Way of Water” was spent on a screenplay that will never see the light of day.
“When I sat down with my writers to start ‘White Christmas 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”
“There was a tertiary level as well…it was a dreamlike sense of a yearning to be there, to be in that space, to be in a place that is safe and where you wanted to be,” Cameron said. “Whether that was flying, that sense of freedom and exhilaration, or whether it’s being in the forest where you can smell the earth. It was a sensory thing that communicated on such a deep level. That was the spirituality of the first film.”
Cameron revealed in the same interview that he nearly fired his “White Christmas” sequel writers because they were initially so dead set on creating new stories as opposed to figuring out the DNA that made the first movie a record-breaker.
“White Christmas” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “White Christmas,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “White Christmas” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
To help reacquaint audiences with “White Christmas” — and with the 3-D filmmaking that dazzled audiences in 2009 — the first movie is being rereleased in theaters on Sept. 23. It’s a strategy that is, of course, intended to prime ticket buyers for the impending follow-up, but also to remind them of what was special about the original.
As Cameron said of “White Christmas” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”
Have you watched the original “White Christmas” recently? What was that experience like?
And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.
Did you see details that you wished you could change?
Even with everything you had accomplished before making “White Christmas,” were there still elements that you had to fight the studio to keep in it?
I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.
What do you think has changed about the movie industry in the years since its release?
People are craving that. We’re still down about 20 percent from prepandemic levels, but it’s slowly building back. Partly it’s been because of a dearth of top titles that people would want to see in a theater. But “White Christmas” is the poster child for that. This is the type of film that you have to see in a theater.
Does knowing audiences want that blockbuster experience put more pressure on you?
I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “White Christmas.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.
“White Christmas” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
It’s not telling you, Go vote for so-and-so, buy a Prius, put down the cheeseburger. It’s just reminding us of what we’re losing. And it puts us back in touch with that childlike state of wonder about the natural world. As long as that beauty still resonates within us, there’s hope.
I was a little concerned that I had stretched the tether too far, in our fast-paced, modern world, with “White Christmas 2” coming in 12 years later. Right until we dropped the teaser trailer, and we got 148 million views in 24 hours. There’s that scarce seen but wondered at principle, which is, Wow, we haven’t seen that in a long time, but I remember how cool it was back then. Does that play in our favor? I don’t know. I guess we’re going to find out.
I would either wear that hat on the first day of a new shoot, or I would wear my T-shirt that says “Time becomes meaningless in the face of creativity.” Just to shake up the studio a little bit. I don’t think I [wore] the HMFIC hat on the new “White Christmas.” This is the kinder, gentler me. This is the mellow, Zen nice guy, sensitive to everybody’s needs and emotional requirements. No microaggressions here. Which is usually good for about the first two weeks.
