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Romance, Drama, Horror, Science Fiction 2022-11-18 Watch Movie or Download Now : Bones and All Quality Blu-ray
Abandoned by her father, a young woman embarks on a thousand-mile odyssey through the backroads of America where she meets a disenfranchised drifter. But despite their best efforts, all roads lead back to their terrifying pasts and to a final stand that will determine whether their love can survive their otherness.
Starring: Taylor Russell (Maren Yearly), Timothée Chalamet (Lee), Mark Rylance (Sully), Anna Cobb (Kayla), André Holland (Frank Yearly), Michael Stuhlbarg (Jake)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Bones and All glory days, because 20th Century Studios is releasing Bones and All in theaters this week, ahead of the release of Bones and All: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Bones and All in the comfort of your own home. Here’s how.
In anticipation of the December release of Bones and All 2, aka Bones and All: The Way of the Water, the first 2009 Bones and All movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Bones and All near you via Fandango. Because the movie has been out for over a decade, you can also watch Bones and All streaming on digital platforms at home. Read on to learn more.
Yes! Bones and All is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Bones and All costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. Bones and All is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
James Cameron revealed to The Times UK that before “Bones and All: The Way of Water” there was a full “Bones and All 2” screenplay that was written and then thrown into the trash. It turns out that at least an entire year of the 13-year gap between 2009’s “Bones and All” and 2022’s “The Way of Water” was spent on a screenplay that will never see the light of day.
“When I sat down with my writers to start ‘Bones and All 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”
During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “Bones and All” to become the highest-grossing movie of all time at the worldwide box office.
“They kept wanting to talk about the new stories. I said, ‘We aren’t doing that yet.’ Eventually I had to threaten to fire them all because they were doing what writers do, which is to try and create new stories. I said, ‘We need to understand what the connection was and protect it, protect that ember and that flame.’”
“Bones and All” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “Bones and All,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “Bones and All” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
To help reacquaint audiences with “Bones and All” — and with the 3-D filmmaking that dazzled audiences in 2009 — the first movie is being rereleased in theaters on Sept. 23. It’s a strategy that is, of course, intended to prime ticket buyers for the impending follow-up, but also to remind them of what was special about the original.
As Cameron said of “Bones and All” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”
Have you watched the original “Bones and All” recently? What was that experience like?
It was a real pleasure to watch it, in its fully remastered state, a few weeks ago with my kids, because they had only ever seen it on streaming or on Blu-ray. “Oh yeah, it’s that movie that Dad made back then.” And they got to see it in 3-D, at good light level and projection levels, for the first time.
Did you see details that you wished you could change?
Even with everything you had accomplished before making “Bones and All,” were there still elements that you had to fight the studio to keep in it?
I think I felt, at the time, that we clashed over certain things. For example, the studio felt that the film should be shorter and that there was too much flying around on the ikran — what the humans call the banshees. Well, it turns out that’s what the audience loved the most, in terms of our exit polling and data gathering.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
There’s a sense of responsibility to do the best job we can and make it a moneymaker. But I don’t how that translates artistically to any decision I make on the movie. I don’t say, Hmmm, let’s put that plant over there because we’ll make more money. It doesn’t work that way. When it’s good enough, you kind of know.
“Bones and All” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?
I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.
In the era of the original “Bones and All,” we learned that you possess a baseball cap bearing the letters “HMFIC” (a boastful if family-unfriendly personal description). Did that get any use on the making of “The Way of Water”?
