Guillermo del Toro's Pinocchio -
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Animation, Fantasy, Drama, Drama 2022-11-09 Watch Movie or Download Now : Guillermo del Toro's Pinocchio Quality Blu-ray
During the rise of fascism in Mussolini's Italy, a wooden boy brought magically to life struggles to live up to his father's expectations.
Starring: Ewan McGregor (Sebastian J. Cricket (voice)), David Bradley (Gepetto (voice)), Gregory Mann (Pinocchio (voice)), Christoph Waltz (Count Volpe (voice)), Tilda Swinton (Wood Sprite / Death (voice)), Ron Perlman (The Podestà (voice))
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Guillermo del Toro's Pinocchio glory days, because 20th Century Studios is releasing Guillermo del Toro's Pinocchio in theaters this week, ahead of the release of Guillermo del Toro's Pinocchio: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Guillermo del Toro's Pinocchio in the comfort of your own home. Here’s how.
In anticipation of the December release of Guillermo del Toro's Pinocchio 2, aka Guillermo del Toro's Pinocchio: The Way of the Water, the first 2009 Guillermo del Toro's Pinocchio movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Guillermo del Toro's Pinocchio near you via Fandango. Because the movie has been out for over a decade, you can also watch Guillermo del Toro's Pinocchio streaming on digital platforms at home. Read on to learn more.
Yes! Guillermo del Toro's Pinocchio is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Guillermo del Toro's Pinocchio costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. Guillermo del Toro's Pinocchio is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
No, sorry. Guillermo del Toro's Pinocchio is not streaming on Netflix at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform. That said, you can watch the Nickelodeon series Guillermo del Toro's Pinocchio on Netflix, and I strongly suggest that you do.
“When I sat down with my writers to start ‘Guillermo del Toro's Pinocchio 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”
During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “Guillermo del Toro's Pinocchio” to become the highest-grossing movie of all time at the worldwide box office.
Cameron revealed in the same interview that he nearly fired his “Guillermo del Toro's Pinocchio” sequel writers because they were initially so dead set on creating new stories as opposed to figuring out the DNA that made the first movie a record-breaker.
“Guillermo del Toro's Pinocchio” opens in theaters Dec. 16.
The pop-cultural landscape looked considerably different in 2009. Television shows were still largely watched on television sets. “TiK ToK” referred to a hit song by Kesha. And the Marvel Cinematic Universe consisted of only two movies released the previous year.
Cameron, the decorated filmmaker of “Titanic,” “True Lies” and “The Terminator,” went off to prepare the next entries in his new franchise. Now, as he puts the finishing touches on the first of four planned sequels, “Guillermo del Toro's Pinocchio: The Way of Water” (which 20th Century Studios will release on Dec. 16), nearly 13 years have gone by and much has changed.
Calling from his studios in Wellington, New Zealand, the 68-year-old Cameron spoke about seeing “Guillermo del Toro's Pinocchio” through new eyes, how the world has or hasn’t changed since its release and whether this onetime king of the world has maybe — just maybe — chilled out a little bit. These are edited excerpts from our conversation.
Have you watched the original “Guillermo del Toro's Pinocchio” recently? What was that experience like?
It was a real pleasure to watch it, in its fully remastered state, a few weeks ago with my kids, because they had only ever seen it on streaming or on Blu-ray. “Oh yeah, it’s that movie that Dad made back then.” And they got to see it in 3-D, at good light level and projection levels, for the first time.
Did you see details that you wished you could change?
I don’t think that way. It’s such an intense process when you’re editing a film and you have to fight for every frame that stays in. I felt pretty good about the creative decisions that were made back then. We spent a lot of time and energy improving our process in the decade-plus since. But there’s certainly nothing cringeworthy. I can see tiny places where we’ve improved facial-performance work. But it doesn’t take you out. I think it’s still competitive with everything that’s out there these days.
And that’s a place where I just drew a line in the sand and said, “You know what? I made ‘Titanic.’ This building that we’re meeting in right now, this new half-billion dollar complex on your lot? ‘Titanic.’ paid for that, so I get to do this.” And afterward, they thanked me. I feel that my job is to protect their investment, often against their own judgment. But as long as I protect their investment, all is forgiven.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
There’s a sense of responsibility to do the best job we can and make it a moneymaker. But I don’t how that translates artistically to any decision I make on the movie. I don’t say, Hmmm, let’s put that plant over there because we’ll make more money. It doesn’t work that way. When it’s good enough, you kind of know.
Asking people to fundamentally change their behavior patterns, it’s like asking them to change their religion. We’re seeing this ongoing series of greater and greater manifestations of the consequences, like with these heat waves in China and North America and Europe, the flooding in Pakistan, which is horrific. And eventually we will change or we’ll die out. “Guillermo del Toro's Pinocchio” is not trying to tell you what to do specifically.
Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?
I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.
In the era of the original “Guillermo del Toro's Pinocchio,” we learned that you possess a baseball cap bearing the letters “HMFIC” (a boastful if family-unfriendly personal description). Did that get any use on the making of “The Way of Water”?
