Ticket to Paradise -
Last updated
Last updated
Romance, Comedy, Thriller, Drama 2022-09-08 Watch Movie or Download Now : Ticket to Paradise Quality Blu-ray
A divorced couple teams up and travels to Bali to stop their daughter from making the same mistake they think they made 25 years ago.
Starring: Julia Roberts (Georgia Cotton), George Clooney (David Cotton), Kaitlyn Dever (Lily Cotton), Maxime Bouttier (Gede), Billie Lourd (Wren Butler), Lucas Bravo (Paul)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the Ticket to Paradise glory days, because 20th Century Studios is releasing Ticket to Paradise in theaters this week, ahead of the release of Ticket to Paradise: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch Ticket to Paradise in the comfort of your own home. Here’s how.
In anticipation of the December release of Ticket to Paradise 2, aka Ticket to Paradise: The Way of the Water, the first 2009 Ticket to Paradise movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of Ticket to Paradise near you via Fandango. Because the movie has been out for over a decade, you can also watch Ticket to Paradise streaming on digital platforms at home. Read on to learn more.
Yes! Ticket to Paradise is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but Ticket to Paradise costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. Ticket to Paradise is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
James Cameron revealed to The Times UK that before “Ticket to Paradise: The Way of Water” there was a full “Ticket to Paradise 2” screenplay that was written and then thrown into the trash. It turns out that at least an entire year of the 13-year gap between 2009’s “Ticket to Paradise” and 2022’s “The Way of Water” was spent on a screenplay that will never see the light of day.
“When I sat down with my writers to start ‘Ticket to Paradise 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”
During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “Ticket to Paradise” to become the highest-grossing movie of all time at the worldwide box office.
“They kept wanting to talk about the new stories. I said, ‘We aren’t doing that yet.’ Eventually I had to threaten to fire them all because they were doing what writers do, which is to try and create new stories. I said, ‘We need to understand what the connection was and protect it, protect that ember and that flame.’”
“Ticket to Paradise” opens in theaters Dec. 16.
The pop-cultural landscape looked considerably different in 2009. Television shows were still largely watched on television sets. “TiK ToK” referred to a hit song by Kesha. And the Marvel Cinematic Universe consisted of only two movies released the previous year.
Cameron, the decorated filmmaker of “Titanic,” “True Lies” and “The Terminator,” went off to prepare the next entries in his new franchise. Now, as he puts the finishing touches on the first of four planned sequels, “Ticket to Paradise: The Way of Water” (which 20th Century Studios will release on Dec. 16), nearly 13 years have gone by and much has changed.
As Cameron said of “Ticket to Paradise” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”
Have you watched the original “Ticket to Paradise” recently? What was that experience like?
And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.
Did you see details that you wished you could change?
Even with everything you had accomplished before making “Ticket to Paradise,” were there still elements that you had to fight the studio to keep in it?
And that’s a place where I just drew a line in the sand and said, “You know what? I made ‘Titanic.’ This building that we’re meeting in right now, this new half-billion dollar complex on your lot? ‘Titanic.’ paid for that, so I get to do this.” And afterward, they thanked me. I feel that my job is to protect their investment, often against their own judgment. But as long as I protect their investment, all is forgiven.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “Ticket to Paradise.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.
“Ticket to Paradise” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
Are you concerned that in the time between the original and the sequel, audiences will have lost their connection to the story or its characters?
I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.
In the era of the original “Ticket to Paradise,” we learned that you possess a baseball cap bearing the letters “HMFIC” (a boastful if family-unfriendly personal description). Did that get any use on the making of “The Way of Water”?
