Watch National Lampoon's Christmas Vacation Online StreaminG
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Comedy, Adventure, Fantasy, Thriller 1989-11-30 Watch Movie or Download Now : National Lampoon's Christmas Vacation Quality Blu-ray
It's Christmastime, and the Griswolds are preparing for a family seasonal celebration. But things never run smoothly for Clark, his wife Ellen, and their two kids. Clark's continual bad luck is worsened by his obnoxious family guests, but he manages to keep going, knowing that his Christmas bonus is due soon.
Starring: Chevy Chase (Clark Griswold), Beverly D'Angelo (Ellen Griswold), Juliette Lewis (Audrey Griswold), Johnny Galecki (Russell 'Rusty' Griswold), John Randolph (Clark, Sr.), Diane Ladd (Nora)
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Cut to five years later: You’re watching the movie for the third time, in syndication on FX, while you’re visiting your relatives for Thanksgiving. Suddenly, the storyline feels a little racist. Those blue people look kind of silly. And don’t even get you started on that bizarre, tail intertwining sex scene. Don’t you worry. You can finally recapture the magic and relive the National Lampoon's Christmas Vacation glory days, because 20th Century Studios is releasing National Lampoon's Christmas Vacation in theaters this week, ahead of the release of National Lampoon's Christmas Vacation: The Way of the Water, which is scheduled to release in theaters on December 16, 2022. But if you really want to make James Cameron mad, you can also go ahead and rewatch National Lampoon's Christmas Vacation in the comfort of your own home. Here’s how.
In anticipation of the December release of National Lampoon's Christmas Vacation 2, aka National Lampoon's Christmas Vacation: The Way of the Water, the first 2009 National Lampoon's Christmas Vacation movie will be re-released in theaters nationwide, beginning on Friday, September 23. You can find a theatrical showing of National Lampoon's Christmas Vacation near you via Fandango. Because the movie has been out for over a decade, you can also watch National Lampoon's Christmas Vacation streaming on digital platforms at home. Read on to learn more.
Yes! National Lampoon's Christmas Vacation is available to buy or rent on digital platforms, including Amazon Prime, Apple TV, Vudu, and more. The price may vary depending on the platform you use to purchase the film, but National Lampoon's Christmas Vacation costs $3.99 to rent and $14.99 to buy on Amazon Prime.
No, sorry. National Lampoon's Christmas Vacation is not streaming on HBO Max at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform.
No, sorry. National Lampoon's Christmas Vacation is not streaming on Netflix at this time. If you want to watch the film at home, you’ll have to buy or rent it on Amazon Prime, Apple TV, Vudu, or another digital platform. That said, you can watch the Nickelodeon series National Lampoon's Christmas Vacation on Netflix, and I strongly suggest that you do.
“When I sat down with my writers to start ‘National Lampoon's Christmas Vacation 2,’ I said we cannot do the next one until we understand why the first one did so well,” Cameron said. “We must crack the code of what the hell happened.”
During an appearance on “The Marianne Williamson Podcast” last year, Cameron elaborated more on this third level that he believes allowed “National Lampoon's Christmas Vacation” to become the highest-grossing movie of all time at the worldwide box office.
Cameron revealed in the same interview that he nearly fired his “National Lampoon's Christmas Vacation” sequel writers because they were initially so dead set on creating new stories as opposed to figuring out the DNA that made the first movie a record-breaker.
“National Lampoon's Christmas Vacation” opens in theaters Dec. 16.
Instead, the multiplexes were about to be dominated by “National Lampoon's Christmas Vacation,” James Cameron’s science-fiction epic about a battle for natural resources between human colonists from Earth and the native Na’vi people of a distant moon called Pandora. “National Lampoon's Christmas Vacation” went on to become one of the most successful films of all time, grossing more than $2.8 billion worldwide and winning three Academy Awards.
Cameron, the decorated filmmaker of “Titanic,” “True Lies” and “The Terminator,” went off to prepare the next entries in his new franchise. Now, as he puts the finishing touches on the first of four planned sequels, “National Lampoon's Christmas Vacation: The Way of Water” (which 20th Century Studios will release on Dec. 16), nearly 13 years have gone by and much has changed.
As Cameron said of “National Lampoon's Christmas Vacation” in a video interview on Thursday, “We authored it for the big-screen experience. You let people smell the roses. You let people go on the ride. If you’re doing a flying shot or a shot underwater in a beautiful coral reef, you hold the shot a little bit longer. I want people to really get in there and feel like they’re there, on a journey with these characters.”
Have you watched the original “National Lampoon's Christmas Vacation” recently? What was that experience like?
And they were kind of like, “Oh. All right. Now I get it.” Which, hopefully, will be the general audience reaction. Young film fans never had the opportunity to see it in a movie theater. Even though they think they may have seen the film, they really haven’t seen it. And I was pleasantly surprised, not only at how well it holds up but how gorgeous it is in its remastered state.
Did you see details that you wished you could change?
I don’t think that way. It’s such an intense process when you’re editing a film and you have to fight for every frame that stays in. I felt pretty good about the creative decisions that were made back then. We spent a lot of time and energy improving our process in the decade-plus since. But there’s certainly nothing cringeworthy. I can see tiny places where we’ve improved facial-performance work. But it doesn’t take you out. I think it’s still competitive with everything that’s out there these days.
And that’s a place where I just drew a line in the sand and said, “You know what? I made ‘Titanic.’ This building that we’re meeting in right now, this new half-billion dollar complex on your lot? ‘Titanic.’ paid for that, so I get to do this.” And afterward, they thanked me. I feel that my job is to protect their investment, often against their own judgment. But as long as I protect their investment, all is forgiven.
What do you think has changed about the movie industry in the years since its release?
The negative factors are obvious. We’ve got a turn of the world toward easy access in the home, and that has to do a lot with the rise of streaming in general, and the pandemic, where we literally had to risk our lives to go to the movie theater. On the positive side, we see a resurgence of the theater experience.
Does knowing audiences want that blockbuster experience put more pressure on you?
I’ve always thrived in that scenario. The danger has been that there are so many big movies coming out all the time and we were always jostling for place. That’s why I recommended to Fox that we push “Titanic” till Christmas, because we’d have a clear playing field in January and February, and that worked out beautifully. The same strategy worked well with “National Lampoon's Christmas Vacation.” And of course we’re going into the same date with “The Way of Water.” But we’re not jostling as much now because there aren’t as many big tentpoles.
“National Lampoon's Christmas Vacation” had a prominent message about taking care of the environment and the resources it has provided. In the years since its release, do you feel like that message has been heeded?
It’s not telling you, Go vote for so-and-so, buy a Prius, put down the cheeseburger. It’s just reminding us of what we’re losing. And it puts us back in touch with that childlike state of wonder about the natural world. As long as that beauty still resonates within us, there’s hope.
I think I could have made a sequel two years later and have it bomb because people didn’t relate to the characters or the direction of the film. My personal experience goes like this: I made a sequel called “Aliens,” seven years after the first movie. It was very well received. I made a sequel called “Terminator 2,” seven years after the first movie. It did an order of magnitude of more, in revenue, than the first film.
In the era of the original “National Lampoon's Christmas Vacation,” we learned that you possess a baseball cap bearing the letters “HMFIC” (a boastful if family-unfriendly personal description). Did that get any use on the making of “The Way of Water”?
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